Through this design language and the reconstitution of objects, I hope to leave textures that can be remembered amid rapid change—rough and singular, like linen in the wind, like earth not yet set. The question may not be grand: as the city’s outline keeps expanding, can we still remember the social memories that have grown with the years—and, in remembering, find a way to keep going?
Through this design language and the reconstitution of objects, I hope to leave textures that can be remembered amid rapid change—rough and singular, like linen in the wind, like earth not yet set. The question may not be grand: as the city’s outline keeps expanding, can we still remember the social memories that have grown with the years—and, in remembering, find a way to keep going?