Across media, I photograph the architecture of the shop floor, the textures of machines, and the postures of daily labor; I build interactive installations that pair the viewer’s “intervention–feedback” with the cadence of production; and I design a book to organize archives and evidence across time, making visible the historical continuity and material embodiments of discipline. As the factory enters a new production stage, one near-constant stands out—the daily, manual quality test of a concrete cube measuring 1000 cubic centimeter. The routine’s relentless repetition turns it into a ritual: pour the mix into a mold, compact and degas with a high-frequency concrete vibrator, then air-dry. As Tagore writes, “This fragile vessel you empty again and again, only to fill it with new life.” Repetition gives time a body and inscribes regularity into the body.